Doves emerge with atmospheric new single ‘Carousels’
Doves have emerged from the studio after their eleven-year hold on new music to grace us with new cut ‘Carousels’.
A swirling, percussive groove at heart that emphatically unfurls their flag at the peak of British music once more, the track traces memories of childhood innocence, wild nights on the Waltzers and the fairground’s sense of candyfloss-scented menace.
The Manchester three-piece return in an experimental mood, releasing the track last month and members Jimi Goodwin (vocals/bass), Andy Williams (drums/vocals) and Jez Williams (guitars/programming/vocals) boldly relay their sustained curiosity in the recording process with Carousels, ‘playing’ the studio as an additional instrument. In a future-facing statement of intent, they largely forfeit guitars in favour of complex, looped drum patterns, twisted, re-worked or replaced vocals and grizzling synthesized sounds.
Opening with dampened instrumentation and indecipherable speech, Doves continue their knack of capturing the sounds of isolation, disquiet and melancholy before shifting course. Built around a sample of the late, great drummer Tony Allen in full stride, Carousels’ beats are dappled with cascading piano lines, growling bass and a disarming vocal performance from Goodwin.
A reality-warping accompanying video, meeting the constraints of the UK’s lockdown and evoking a previously unfamiliar air of a human-free built environment comes animated by Yoni Weisberg.
“It’s a reminiscence of the times that we’d go to places like North Wales on holiday as kids,” says Andy Williams. “Places where you had your first experience of sound systems and music being played really loud.”
‘Carousels’ had initially found life far from the North of England, with Jez packing the idea in luggage for a creative trip to Porto, refining it amongst the steep streets and rich culture of the vibrant Portuguese city before returning to Doves’ own, famed Frank Bough Sound III studio. It was amongst the first new ideas that the band shared between each other when the life-long friends first picked up instruments as a band again, with Goodwin struck by its immediacy. He says: “I was blown away. It’s got a bad-ass breakbeat.”
Restarting a career that has seen them twice Mercury-nominated (for their 2000 debut, Lost Souls and the follow-up, 2002’s chart-topper, The Last Broadcast) Doves have kicked things off just exactly as they left it.
Featured image by Jon Shard
